It unexpectedly became somewhat thought-provoking by the end, tying back into Behemoth’s previous game, Battleblock Theater, in a humorous and clever way. The humor that accompanies it doesn’t always land – there’s a mechanic where you can leave behind a trail of poop to retrace your steps in the overworld, which made me cringe rather than laugh – but when it strays outside the bounds of being crazy for the sake of craziness and actually injects some genuine wit into the equation, it had me chuckling my way through what otherwise may have been stressful battles.Īnd the plot is more than just a vehicle for absurdism. One of my biggest disappointments was that the optional content I played didn’t include as much of the clever mission design that I saw in the main quests. The unpredictable nature of the setting and writing could lose some of its charm in too large doses, but it certainly ensures that Pit People never starts to feel dull.
Another involves cutting a mouth parasite out of a sea monster so you can recruit it to your party – by having another squadmate eat it, naturally. The unpredictable setting means Pit People never starts to feel dull.One quest might have you holding off a group of vaguely British robots at the behest of a guy with an American flag covering his entire face who hasn’t heard that the Revolution is over. It took me less than six hours to complete, but in that time it includes some clever takes on the battle mechanics, including a couple stealth missions that didn’t involve combat at all. You’re introduced to the world by a short but wild and well-paced main quest that features a giant, angry space bear who kidnapped your son serving as a GLaDOS-style hostile narrator.
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